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Tuesday, March 9, 2021

A Farewell to Arms Analysis

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John Stubbs Love and Role Playing in A Farewell to Arms


John Stubbs essay is an examination of the defense


which he believes Henry and Catherine use to protect


themselves from the discovery of their insignificance and


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powerlessness...in a world indifferent to their well


being... He asserts that role-playing by the two main


characters, and several others in the book, is a way to


escape the realization of human mortality which is unveiled


by war. Stubbs thinks that Hemingway utilized role-playing


as a way to explore the strengths and weaknesses of his two


characters. Stubbs says that by placing Henrys ordered


life in opposition to Catherines topsy-turvy one, and then


letting each one assume a role which will bring them


closer together, Hemingway shows the pairs inability to


accept the hard, gratuitous quality of life.


Stubbs begins by showing other examples, notably in In Our


Time and The Sun Also Rises, in which Hemingways characters


revert to role-playing in order to escape or retreat from


their lives. The ability to create characters who play


roles, he says, either to maintain self-esteem or to


escape, is one Hemingway exploits extraordinarily well in A


Farewell to Arms and therefore it is his richest and most


successful handling of human beings trying to come to terms


with their vulnerability.


As far as Stubbs is concerned, Hemingway is quite blatant in


letting us know that role-playing is what is occurring. He


tells that the role-playing begins during Henry and


Catherines third encounter, when Catherine directly


dictates what is spoken by Henry. After this meeting the two


become increasingly comfortable with their roles and easily


adopt them whenever the other is nearby. This is apparent


also in that they can only successfully play their roles


when they are in private and any disturbance causes the


game to be disrupted. The intrusion of the outside world


in any form makes their role-playing impossible, as


evidenced at the race track in Milan, where they must be


alone. The people surrounding them make Catherine feel


uncomfortable and Henry has to take her away from the crowd.


He goes on to describe how it is impossible for them to play


the roles when they are apart and how they therefore become


more dependent upon each others company.


Stubbs goes on to explain how, neither mistakes


role-playing for a truly intimate relationship, but


both recognize that it can be a useful device for satisfying


certain emotional needs. He says that originally Henry and


Catherine are playing the game for different reasons but


eventually move to play it as a team. Henry is role-playing


to regain the sense of order he has lost when he realizes


the futility of the war and his lack of place in it.


Catherine is role-playing to deal with the loss of her


fiance and to try to find order in the arena of the war.


When they are able to role-play together, the promise of


mutual support is what becomes so important to them as they


try to cope with their individual human vulnerability.


He also analyzes the idyllic world introduced early in the


story by the priest at the mess and later realized by Henry


and Catherine in Switzerland. They fall fully into their


roles when they row across the lake on their way to their


idealized world. The fact that they actually are able to


enter this make-believe world strengthens their game and


allows it to continue longer than it would have otherwise.


And once they are in this new world they adopt new roles


which allow them to continue their ruse. They also need to


work harder to maintain the game because far from the


front they are both still aware the war is proceeding and


they are no longer a part of it. The world in which they


exist in reality (!) is not conducive to role-playing


because it tries repeatedly to end their game.


Stubbs manages to uncover numerous inezces in which the


two are role-playing and he makes a very interesting case


that this is exactly what they are doing and not just his


imagination reading into the story. He does make certain


assumptions, that their love is not real, that the


characters are searching for order, which are not completely


justified or even necessary to prove his point. He also


forces an intentionality upon Hemingway which could have


been avoided without harming his theory. Towards the end of


the essay Stubbs infers that their role-playing is inferior


to true intimacy, which is a point that, although he


defends well, is not central to his theory and seems to


detract from his objectivity.


The essay is a valuable tool to help the reader underezd


this view of what is happening through Henry and Catherines


relationship and how they use each other to maintain their


self-images, provide themselves with psychological support,


and in a way escape the war. Hemingway may not have been


trying to purposely create a role-playing scenario, but


Stubbs essay will benefit someone wishing to explore this


aspect of the relationship of the two main characters in


greater depth. the library


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