'Much Ado about Nothing' in fact has a great deal to say about love and marriage. What is Shakespeare trying to tell us about relationships between men and women? Compare the play's treatment of love with that in 'Silas Marner'.

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'Much Ado about Nothing'

Literature Essay

'Much Ado about Nothing' in fact has a great deal to say about love and marriage. What is Shakespeare trying to tell us about relationships between men and women? Compare the play's treatment of love with that in 'Silas Marner'.

IntroductionCheap College Papers on 'Much Ado about Nothing' in fact has a great deal to say about love and marriage. What is Shakespeare trying to tell us about relationships between men and women? Compare the play's treatment of love with that in 'Silas Marner'.

The main bulk of the story of Shakespeare's 'Much Ado about Nothing' is built around the theme of love. In this play Shakespeare puts across his views about love and relationships between men and women. I believe that one of the messages he was meaning to put across was that for a relationship to work, it is very important that the people know each other and they also need to know themselves. He says a lot about relationships between men and women through four of the play's coupled characters. The relationships between these two couples contrast greatly. One (between Beatrice and Benedick) is built on solid, deep foundations. They have history between them and know each other well. The other partnership (between Claudio and Hero) is built on shallow foundations on physical attraction, infatuation. These two are much younger than the wiser Beatrice and Benedick. They don't know each other and have had no previous experience of being together. I will study the comparisons between these two relationships as well as studying some other relationships involved in the play.

Benedick and Beatrice

At first, Beatrice and Benedick behave very immaturely and childishly towards each other. It seems they really do hate and can't stand one another, but at the same time it seems they can't have enough of each other's company. They prove they are interested and do actually care by the way one always talk about the other to their friends, even if it they do speak of them with resent. The fact that they are constantly thinking about each other shows that they are interested.

They are constantly throwing cruel insults at each other and battling in a 'merry war'. Throughout most of the play, every time they meet a fight breaks out between them. The first thing Beatrice says about Benedick is to call him "Signor Mountanto", which is a very insulting remark, calling him stuck up and bigheaded. All their wit is used in throwing insults at each other. In lines 115-40 she refers to his love, possibly their relationship in the past, and scorns many aspects of his character. In her opinion he is unpleasant and despicable. She is not at all gentle in her remarks. They are passionate with hatred. But she protests against Benedick excessively, which suggests she may actually like him. "Faith niece, you tax Signor Benedick too much" (1141) even Leonato comments on her being too harsh on Benedick (who in fact is not really quite as vicious towards Beatrice as she is to him).

There is a struggle for supremecy between them, a fight for power. One possible reason behind the power struggle is that they do care about each other. There is a kind of inverted mutual respect for the opponent.

The two have a lot in common. They both are very strong-minded and witty, intelligent, worldly-wise and perceptive. These very similar characters both are also highly cynical about love and marriage. Benedick is always saying how little he trust women and that he would rather die than love. Their view on love and marriage may have been affected by hurt in the past. Because they have some kind of romantic history between them they know each other very well. This allows them to really be able to poke at each other's characters in this childish war. But, the fact they know each other so well means that they must be accustomed to their company and behaviour and have seen and know all sides of their personalities. This is an advantage which would be a great strength to a relationship.

Beatrice and Benedick mature gradually through the play. By the end, Benedick is no longer always fooling about by the end of the play. Before, you could never be sure if he is serious or not, but as he matures he becomes more sincere. Their increase in maturity also leads to an increase in respect for each other and the learning and realising of their true feelings.

Shakespeare makes the point that for relationships to work, some tests have to be endured. Beatrice and Benedick's relationship endures some tests, the biggest of which is targeted upon Benedick the two words Beatrice speaks on line 4185 after the wedding lead Benedick into having to make a very difficult choice. "Kill Claudio"… It is a test for Benedick to find out for himself how much he really loves Beatrice. If he walked away at that, their relationship would surely be over. He has just seconds to search for a mature decision inside himself, and he makes the choice of rejecting his friends, rejecting his reputation in society, rejecting being an honourable soldier, just to be with her. This is where he realises that he really is in love with her, and she infers from his answer that he is serious about it, meaning she will then start to realise that she really loves him too. Shakespeare is saying that every relationship will have its crisis points. Benedick passes his test, gets through the crisis point, resulting in a stronger relationship with Beatrice. Claudio, however, fails this test, which shows his weakness in his youth, inexperience and naivety.

Claudio and Hero

The relationship between Claudio and Hero is a lot weaker and unrealistic than that between Beatrice and Benedick. Their behaviour towards each other is naïve, immature and untrusting. What happens in the disastrous wedding scene is an example of their lack of trust in each other and how little they know one another. Because they haven't been in each other's company for long, and they don't know each other well at all, they aren't wary of the bad sides of each other's characters. They haven't seen the worst of each other, so they will be unprepared when the worst of them show.

Hero doesn't make decisions for herself. She has a childlike dependence on society and her father to grow and develop her, make her choices for her. Leonato (her father) tells her what to do with her life and who to love. She is expected by her father to accept any decent proposal which comes to her. Leonato is very much in control of her life, which is shown in the quote "Well niece, I trust you will be ruled by your father" (14). In Act Scene 1 Claudio proposes to Hero. She seems unable to answer for herself, and is told by Leonato to accept the proposal.

Hero is very innocent, naïve and also very quiet. Shakespeare doesn't give Hero much dialogue at all. In doing this he could be putting across a point that this is an example of how a woman should behave in a relationship, or that a stronger relationship requires more communication.

Leonato and Hero

Because he is so wrapped up in the society of Messina and his position in the society, Leonato is unable to really show his love for Hero. He does love her but they aren't very close and this is shown in the wedding scene. It proves that Leonato doesn't really know his daughter; otherwise he would have known for sure that Hero was completely innocent at the time of the wrongful accusation. The fact that Leonato was willing to believe the slander directed against Hero and her apparently undamaged love for him is a sign of how Leonato doesn't know his daughter and how he doesn't trust her enough to be sure that she is innocent.

Don John and Don Pedro

Don John and Don Pedro have a relationship which isn't very close at all and it's quite competitive, but most of the competition is coming from Don John, who perhaps is jealous of his brother. Don Pedro is a highly respected man of great stature and has a good reputation in society. Don John, being the bastard that he is, doesn't get the same kind of respect and affection.

Don Pedro is an instrument of harmony, bringing people together. He is a symbol of righteousness, justice and good. Don John is a nasty piece of work, a very resentful, mischievous, malicious character. He is a misanthropist, hating everyone especially his brother Don Pedro.

Although they have completely different personalities, Don John and Don Pedro have a few similarities. They both inspire loyalty in their followers. Don John has Borachio and Conrade, Don Pedro has Benedick and Claudio (though Benedick leaves his side for Beatrice). The difference in that though is that Conrade and Borachio's loyalty for Don John is inspired by money and evil, whereas Claudio and Benedick's loyalty to Don Pedro is inspired more by friendship and honour (they are all soldiers). They also both share an absence of romance in their lives.

Comparison with 'Silas Marner'

Both 'Much Ado about Nothing' and 'Silas Marner' revolve around the theme of love and relationships, and the troubles which are encountered on the road to happy-ever-after. Similarities are seen between Silas and characters in the play. For example, Silas and Hero were both falsely accused and cast out from their social groups; Silas and Benedick both have little trust in women after hurt in their history with women; Silas Marner and a number of characters in the play all mature during the stories and, after some crises, eventually find light and happiness.

Silas Marner- by George Elliot

Much Ado About Nothing- William Shakespeare

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